Hello, it’s been a while, isn’t it?
After a long time without updates, Illusion City is ready to return back on track again. I’ve been very busy with my personal life and thus the time to dedicate to this project has been very little and instead of posting sloppy stuff I decided to keep quiet instead. But now, I’ve got more time and some new ideas. In the following weeks you can expect:
-Updated articles and essay (in first place, the one regarding Caraco, which needs a big overhaul and improvement with a whole new section)
-New cinema reviews
-The return of the music of the week appointment, even if maybe it will be every two weeks instead of once a week:
See you soon, my friends. :)
As promised, after a long pause, here’s the review for Kawalerowicz’s Maddalena.
After a long pause, because of being busy in my personal life, Illusion City comes back with new updates…
This time, I’m posting the original version of one of Morricone’s most famous works, a tune that came along with “Come Maddalena”.
Both of these were originally featured for the first time in an obscure arthouse movie of the early ’70s, Maddalena, directed by Polish filmmaker Kawalerovicz. It’s an interesting effort even if not without flaws and I plan to polish what I’ve written about it and post a review for it here one day or another (sadly my spare time diminished a lot).
However, enjoy this beautiful tune. My favourite part, personally, is the wonderful bridge.
Lana del Rey is, in my opinion, one of the few interesting pop musician in these (quite sterile, artistically) years, one of the few with an original aestethic and imagenary in her work and not only some derivative and / or dull or, even worse, stupid stuff destinated straight to oblivion in a blink of an eye.
Of course, even talented people like Lana suffer from the decadence of the music business (and, overall, of the even worse fall in musical taste and sophistication in masses and mainstream critic) and her production has her flaws: too much songs, some of them too little polished etc, but it’s understandable and excusable, at least in my opinion.
This is an early leak from one of the songs that are now present in her Ultraviolence album, freshly released. Like all the best Lana’s songs, is a story of melancholy and difficult relationship.
A friend of mine gave me the ispiration to post a beautiful cover of this Bob Dylan classic…Ministry style! So expect an heavy, slighty psychedelic, sludgy trip.
Also, I’ll post new movie reviews soon! Work hasn’t stopped on them.
Pearls before swine have been one of the most beautiful and influential folk bands in America in the ’60s. This is one of their best songs, taken from what maybe is their masterpiece: Balaklava, a concept album about the infamous battle in the XIX century.
TIme for a new review: After Agostino, another very beautiful movie from Italy, from Dino Risi’s genius. Like Agostino, the original source is a novel from a very talented italian writer, Piero Chiara. The movie it’s a mix between a lot of genres, with some strong gothic overtones. It’s also very subtle and psychological. You can find the review here
To go along with Agostino’s review, it’s time to listen again to the genius of Erik Satie, also used as a soundtrack for Agostino.
I’m very happy to announce that I’ve reviewed the first rare and underground movie of the site, an obscure italian classic, Agostino, inspired by a novel by Alberto Moravia, a very influential and prolific Italian writer who also had a very big impact on the world of cinema, both as a writer and as a critic.
You can find the review, along with English subtitles for the movie (not mine), here.
With pleasure, I’m announcing you the opening of the cinema section of Illusion City! Like I wrote on the last update, the first movie to be reviewed is Francois Ozon’s Young and Beautiful, a wonderful movie about the hardship of the teenage years and many difficulties and shadows of living in the contemporary world…I’m quite happy of the analysis I’ve written, I’ve found an interesting connection between this movie and one of Louis Bunuel’s masterpiece, Belle de Jour (1967), so I invite you to read it and comment it!
I am planning to upload a new review every one or two weeks, depending on the spare time I’ve got…I hope you will appreciate them.